Friday, April 1, 2011

production digital textile printing

1.14 ITMA 2003
ITMA 2003 at Birmingham, UK, during October 2003 marked the introduction
of a number of breakthrough developments for digital printing on textiles and
the beginning of production digital textile printing of yard goods. The key
developments involved companies with considerable experience building con-
ventional textile printing equipment, including Ichinose, Reggiani, Robustelli,
and Zimmer.
· DuPont Ink Jet exhibited two of its Artistri 2020 printers with its Japanese
partner and machine builder, Ichinose Toshin Kogyo Co. Ltd. The Artistri
2020 uses 16 Seiko Instruments PIJ print heads arranged with eight heads on
each of two gantries. This configuration enables the use of two different ink
types or using the same ink on both gantries for greater production speed. The
device prints rolls of fabric up to 1.8m wide at print resolution of 600 dpi at a
production rate of about 30m2/hr. Its roll-to-roll adhesive print blanket
system enables printing on woven, and knits, including elastomeric fabrics.
The Artistri system and inks can print on nylon, silk, cotton, polyester and
blend materials including DuPont Lycra blends. The 2020 stood out from
other production inkjet printers because its 2020 devices were printing
pigmented and disperse dye ink sets while competitive devices were printing
less challenging acid and reactive dyes. DuPont also offered fiber reactive
and acid ink sets for its inkjet printers. DuPontTM ArtistriTM inks are
available in cyan, magenta, yellow, black, light cyan, light magenta, orange
and blue for reactive dye; cyan, magenta, yellow, black, light cyan, light
magenta, red and blue for disperse dye and pigment; and cyan, magenta,
yellow, black, red, blue, green, orange, fluorescent yellow and fluorescent red
for acid dye. The DuPont dyes require post-print fixing typically used for
conventional fabric printing. The Artistri system also includes the DuPontTM
ArtistriTM Color Control and Management System (CCMS) and RIP
software. ITMA marked the emergence from beta testing and the commercial
launch of the Artistri 2020. By February 2006, DuPont had placed about 160
Artistri 2020 printers in locations around the world. Sign and banner
manufacturers in addition to other product samples and small to medium
production fabric printers have acquired this device.
· L&P introduced a UV-curable dye for use with its Virtu system. Sub-
sequent versions of the Virtu print line have achieved print speeds of about
200m2/hr.
8 Digital printing of textiles
· Mimaki unveiled its TX3 fabric printer with more robust material handling
capability than the Mimaki TX2 to tension and print difficult-to-handle
fabrics such as elastomeric fabrics. The TX3 provides advanced material
handling like that provided for the TX2 on the DUA Graphic Systems Srl
(DGS) Cromos textile printer.
· DGS of Como, Italy, also exhibited its other software and textile printer
offerings at ITMA. DUA Graphic Systems expanded from a supplier of
software solutions to the screen engraving industry, to a digital printing
software provider and value-added manufacturer of advanced textile handling
devices for existing digital printing systems. In addition to the Cromos printer
based on the Mimaki TX2, DGS offers the Star G8, based on the Encad
Novastar 850, the Colorspan Fabrijet XII, and the Luxor 7 based on the
Mimaki TX printer. DGS supplies these systems with its Match Print II
software. In February 2005, DGS and DuPont announced a marketing
partnership for the sale of the Artistri 2020 and Match Print II software.
· Reggiani, in cooperation with Scitex Vision and Ciba, introduced its DReAM
textile printer using 42 Aprion 512-nozzle PIJ print heads for this six-color
digital textile-printing device. Reggiani reports that the DReAM can print
600 dpi throughput at a rate of 150m2/hr. Reggiani had installed over a dozen
of these devices by May 2005, most of which are located in Italy.
· Robustelli, in partnership with Epson, launched its Monna Lisa textile printer.
This device is capable of printing very high-resolution images for which
Epson print heads are known. The Monna Lisa features half again as many
print heads as the Mimaki TX2, along with improved material handling.
Robustelli has placed about a dozen of these printers in Italy.
· Zimmer exhibited its Chromotex printer using arrays of `Flatjet' piezoelectric
stimulated spray nozzles. It also showed its Chromojet carpet mat inkjet
printer.
During 2003, Mimaki exhibited its GP 604 garment-printing device with 60 cm
(24 inch) print width. Mimaki also offers the GP 1810 inkjet garment printer
with 1.8m (73.2 inch) print width.

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